The Nikon NIKKOR Z 24-200mm f/4-6.3 VR is a versatile zoom lens designed for Nikon’s full-frame mirrorless Z-mount cameras. It covers a wide focal length range from 24 mm wide-angle to 200 mm telephoto, making it suitable for everything from landscapes and architecture to portraits and travel photography.

The lens has a variable aperture of f/4.0-6.3 and is equipped with Nikon’s optical VR image stabilisation, which helps reduce camera shake when shooting handheld. The optical construction consists of 19 elements in 15 groups, including ED glass and aspherical lens elements that improve sharpness and minimise distortions.

Weighing only 570 grams and measuring 11.4 cm in length, the lens is easy to take on the go. It has a 67 mm filter thread and features Nikon’s Super Integrated Coating, ARNEO Coat, and fluorine coatings that protect against dust, moisture, and reflections.

Focusing can be set to both automatic and manual, and the lens uses a quiet stepping motor (STM) that provides precise and smooth focusing – ideal for both stills and video.

The Sony VPLL Z3032 is a telephoto zoom lens developed for use with selected Sony projectors. The lens allows remote adjustment of image size and focus, making it suitable for installations where the projector is placed far from the screen.

With an aperture of f/2.0–2.4, the lens offers a good balance between brightness and image sharpness. The motorised focus and zoom function make fine-tuning the image easy without manual adjustment, which is an advantage in professional environments such as auditoria, meeting rooms, and exhibition spaces.

The lens has a throw ratio of 3.18–4.84:1 and is compatible with the Sony VPL-FHZ80 and VPL-FHZ85 models. The robust construction and precise optics ensure reliable performance over time.

At 17.7 cm in length and 1.2 kg in weight, the VPLL Z3032 is a durable lens that combines functionality and quality in a compact form.

The Samyang AF 18mm f/2.8 FE is an ultra-compact wide-angle lens that weighs only 145 grams. It has been developed for mirrorless full-frame cameras and offers an approximately 100-degree field of view, making it suitable for landscape, architecture, and travel photography.

The lens consists of 9 elements in 8 groups, several of which are special elements that help reduce distortions and ensure high image sharpness. The optical design includes ED glass, aspherical elements, and HR glass, which together improve contrast and colour reproduction.

The linear STM motor ensures fast and accurate autofocus, and the lens can also be used in manual mode for full control. The aperture ranges from f/2.8 to f/22, and the seven-blade diaphragm produces a smooth background blur.

With a 58 mm filter diameter and a length of only 6.05 cm, the lens is easy to carry in a camera bag. The optical UMC coating (Ultra Multi Coating) reduces reflections and ghosting, providing clear images even in challenging lighting conditions.

The Axis CCTV lens - 2.8 mm - 6 mm is a specialised lens developed for surveillance purposes. It has an adjustable focal length that allows the image framing to be adapted to the installation environment, providing flexibility in installation.

The lens has manual focus adjustment, allowing the user to fine-tune sharpness as needed. With an aperture of f/2.0, it offers good light gathering, which is an advantage in varying lighting conditions.

It is intended for use with the AXIS F1015 sensor unit and uses an M12 mount, which is common in compact surveillance cameras. The lens supports IR correction, meaning it can be used in systems with infrared illumination without degrading image quality.

The package includes five lenses, and the technical specifications apply to each individual unit. This makes it suitable for installations requiring multiple cameras with uniform optics.

The Canon EF 70-200mm f/4L IS II USM is a telephoto zoom lens designed for Canon digital SLR cameras with an EF mount. It covers a focal length range of 70–200 mm and features a constant maximum aperture of f/4, providing consistent exposure throughout the zoom range.

The lens includes optical image stabilisation, which helps reduce camera shake when shooting handheld. The built-in Ultrasonic Motor (USM) ensures fast and nearly silent autofocus, while manual focus adjustment remains possible.

The construction consists of 20 lens elements in 15 groups, including special glass such as UD and fluorite elements, which help minimise chromatic aberration and improve image sharpness. The aperture has nine blades, producing a smooth and pleasing background blur.

The lens is built to Canon’s L-series standards, with a dust- and water-resistant design, making it suitable for demanding shooting conditions. Weighing 780 grams and measuring 17.6 cm in length, it is a lightweight and easily portable choice for photographers who need a versatile telephoto zoom lens.

The SAMYANG Xeen 35 mm T1.5 is a cine lens developed for professional use in film and video production. The 35 mm focal length and large T1.5 aperture allow for shallow depth of field and shooting in low light with high image quality.

The lens features a Canon EF mount and is compatible with both digital SLR cameras and full-frame video cameras. Manual focus and a geared aperture control ring make it suitable for use with follow focus systems, providing precise control during shooting.

The Xeen series is known for its robust construction and consistent design across different focal lengths, making it easier to switch lenses during production. The lens has a 114 mm filter diameter, built-in lens hood, and internal focusing, ensuring stable image composition.

Thanks to its 11 aperture blades and X-Coating, the lens produces smooth bokeh and reduces reflections and glare, contributing to a clean and cinematic look.

The Raynox HDP-5072EX is a 0.5x conversion lens designed for use with cameras that have a large aperture and high resolution. It attaches to the front of the camera’s existing lens and nearly doubles the field of view, making it suitable for shooting situations where a wide perspective is desired.

The lens consists of three elements in three groups and is coated to reduce reflections and improve light transmission. It offers up to 630 lines per millimetre in the centre, ensuring sharp images even at high resolution.

With 0.5x magnification and approximately -31% natural distortion, the HDP-5072EX creates a semi-fisheye effect that can produce creative and dynamic visual results. At the same time, it can reproduce panoramic subjects without significant image distortion at longer shooting distances.

The adaptor is compatible with many professional and semi-professional camcorders from Canon, JVC, Panasonic, and Sony, and comes with a lens cap and case for protection during transport.

The Panasonic Leica DG Vario-Elmarit 50-200mm f/2.8-4 is a telephoto zoom lens developed in collaboration between Panasonic and Leica. It covers a focal length range equivalent to 100–400 mm in 35 mm format, making it suitable for nature, sports, and portrait photography.

The lens features a variable aperture from f/2.8 to f/4.0, offering good control over depth of field and the ability to shoot in low light. The optical image stabiliser (POWER O.I.S.) helps reduce shake and ensures sharp images even at longer focal lengths.

The construction consists of 21 elements in 15 groups, including ED, UED, and aspherical lens elements that help minimise distortion and chromatic aberration. The Nano coating reduces reflections and provides high contrast and clarity.

The lens is built to withstand dust, moisture, and low temperatures, making it suitable for demanding conditions. Weighing 655 grams and measuring 13.2 cm in length, it is a compact choice in its class.

It is compatible with many Panasonic Lumix G and GX series cameras and offers both automatic and manual focusing for maximum control.

The DJI Lens 32mm is a professional lens developed for use with DJI Zenmuse P1 and Zenmuse X7 cameras. The lens has a focal length of 35 mm and a maximum aperture of f/2.8, allowing control over depth of field and light sensitivity in various shooting situations.

The construction consists of 8 groups and a total of 9 lens elements, including aspherical elements that help reduce distortions and ensure high image quality. The lens has a DL mount and is equipped with a leaf shutter, providing precise exposure control.

Weighing only 180 grams and measuring 7.12 cm in length, the lens is lightweight and compact, making it suitable for use in aerial imaging systems where weight and balance play an important role. The filter size is 46 mm and the minimum focusing distance is 85 cm.

The lens is made of carbon fibre, which contributes to its lightness and durability. It is designed to produce sharp and detailed images that meet the high demands of professional photographers and film-makers.

The Olympus M.Zuiko Digital ED 7–14mm f/2.8 PRO is a wide-angle zoom lens designed for the Micro Four Thirds system. The focal length corresponds to 14–28 mm in 35 mm format, allowing for the capture of wide vistas and dramatic compositions.

The lens features a constant maximum aperture of f/2.8, making it suitable for shooting in low light and creating images with shallow depth of field. The optical construction consists of 14 elements in 11 groups, including ED and Super ED glass as well as DSA and HR elements that reduce distortion and chromatic aberration.

The durable construction is dust-, moisture-, and splash-proof, making the lens suitable for demanding conditions. The built-in lens hood protects the front element and reduces reflections, while the ZERO coating minimises reflections and ghosting.

With a minimum focusing distance of 20 cm and both manual and automatic focusing, the lens offers flexibility for both landscape and close-up photography. It is compatible with a wide range of Olympus PEN and OM-D cameras.

The Nikon AF-S 200-500mm f/5.6E ED VR is a telephoto zoom lens designed for the Nikon F mount and compatible with both full-frame and APS-C DSLR cameras. The 200–500 mm focal length range offers significant reach, making it suitable for photographing distant subjects such as wildlife, aircraft, and sporting events.

The constant maximum aperture of f/5.6 ensures consistent exposure across the zoom range and allows precise depth of field control. The lens features Nikon’s optical vibration reduction (VR), enabling shooting at shutter speeds up to 4.5 stops slower without image blur.

The construction consists of 19 elements in 12 groups, including ED glass that reduces chromatic aberration and enhances image sharpness. The electromagnetic diaphragm ensures accurate exposure during continuous shooting, while the Silent Wave Motor (SWM) provides fast and quiet autofocus.

The lens has a 95 mm filter diameter, a length of 26.75 cm, and weighs approximately 2.3 kg. It comes with a lens hood, dust cap, carrying case, and tripod collar, making it practical for both hand-held and tripod use.

The Sony LA-EA5 is a lens adaptor designed to connect Minolta A-type lenses to Sony E-mount cameras. It allows users to continue using their existing A-mount optics on newer cameras without losing important functions such as autofocus and auto exposure.

The adaptor has a compact, cylindrical design and is built with precision and compatibility in mind. It supports both AF and AE tracking as well as aperture control functions, making it suitable for both still photography and video recording.

Weighing only 88 grams and measuring 3.17 cm in length, the adaptor is easy to handle and transport. It comes with a dust cap, body cap, and carrying case for extra protection during storage and transport.

The LA-EA5 is compatible with many Sony cameras, including the α series, Cinema Line, and NXCAM models, making it a flexible tool for photographers working with multiple camera types.

The Axis CCTV lens - 3.9 mm - 10 mm is an intelligent i-CS lens developed for use in professional surveillance systems. It allows adjustment of the focal length between 3.9 and 10 mm, making it suitable for various surveillance scenarios requiring both wide and more detailed viewing angles.

The lens features a fast F/1.5 aperture, ensuring good light transmission and clear images even in low-light conditions. The automatic iris (P-Iris) helps achieve optimal exposure and sharpness in varying lighting conditions.

Thanks to the i-CS mount and manual focus, the lens offers flexibility in installation and precise image control. It supports cameras with resolutions up to 5 megapixels and is compatible with several Axis Q16 and P13 series models.

The lens is designed for reliable use in professional environments where image quality and adjustability are crucial for effective surveillance.

The Canon EF-M 15-45mm IS STM is a compact zoom lens covering a focal length range of 15–45 mm, equivalent to 24–72 mm in 35 mm format. This makes the lens suitable for everything from landscapes and portraits to everyday shots.

The lens features optical image stabilisation (Dynamic IS), which reduces shake and allows for sharp hand-held or motion shots. The built-in STM motor (Stepping Motor) ensures smooth and nearly silent focusing, which is particularly useful when shooting video.

The construction consists of 10 elements in 9 groups, including three aspherical lens elements that improve image quality and reduce distortions. The lens has a seven-blade circular aperture that produces a soft background blur.

Weighing only 130 grams and measuring 4.45 cm in length, the lens is easy to carry. It has a 49 mm filter thread and a graphite-coloured aluminium body that matches the design of EOS M cameras.

The SAMYANG Xeen 16mm T2.6 is a wide-angle lens developed for film and video production, where precision and consistent operation are crucial. The 16 mm focal length provides a wide field of view suitable for landscapes, architecture, and spaces with limited room.

The lens has a maximum aperture of T2.6, allowing work in low light conditions and achieving controlled depth of field. Manual focus and a de-clicked aperture enable precise adjustments during shooting.

The Xeen series is built with uniform gear rings for aperture and focus, allowing lenses to be easily swapped without adjusting the follow focus system. The optical design is coated with UMC (Ultra Multi Coating) to reduce reflections and improve contrast and colour reproduction.

With a 114 mm filter diameter and 11 aperture blades, the lens produces a smooth and rounded bokeh. It is compatible with Canon EF mount and can be used on both full-frame cameras and video cameras.

The Panasonic Lumix H-FS45150 is a telephoto zoom lens designed for Micro Four Thirds cameras. With a focal length of 45–150 mm (equivalent to 90–300 mm in 35 mm format), it allows you to bring distant subjects closer without compromising image quality.

The lens has a variable aperture of f/4.0–5.6 and is equipped with Panasonic’s MEGA O.I.S. image stabiliser, which helps reduce shake when shooting handheld. This makes it suitable for shooting in low light or at longer focal lengths.

The construction consists of 12 elements in 9 groups, including aspherical lenses and a UHR lens (Ultra High Refractive Index), which help produce sharp and consistent images from centre to edge. The lens features both automatic and manual focus, with a minimum focusing distance of 90 cm.

Weighing only 200 grams and measuring 7.3 cm in length, the lens is easy to carry in a camera bag. It comes in black and includes a lens cap, dust cap, and lens hood.

The Nikon AF-S 50mm f/1.4G is a fixed focal length lens designed for the Nikon F mount and compatible with both full-frame and APS-C DSLR cameras. The 50 mm focal length provides a natural perspective that resembles the human eye’s field of view.

The large f/1.4 maximum aperture makes the lens suitable for shooting in low light and allows for images with significant background blur (bokeh).

The lens features Nikon’s Silent Wave Motor (SWM), which ensures fast and nearly silent autofocus, while manual focusing can be performed precisely.

The optical design consists of 8 elements in 7 groups and is coated with Nikon’s Super Integrated Coating, which reduces reflections and improves contrast and colour reproduction.

Weighing only 230 grams and measuring 5.4 cm in length, the lens is compact and easy to carry, making it ideal for both travel and everyday use.

The Canon RF 24-105mm F4L IS USM is a zoom lens developed for Canon’s mirrorless cameras with the RF mount. It covers a wide focal length range from 24 mm wide-angle to 105 mm telephoto, making it suitable for landscape, portrait, and travel photography.

The lens has a constant maximum aperture of f/4 throughout the zoom range. The built-in optical image stabiliser compensates for camera shake and allows for up to five stops longer exposure times when shooting handheld.

The construction consists of 18 lens elements in 14 groups, including aspherical and UD elements that reduce distortion and chromatic aberration. A fluorine coating on the front and rear lens elements protects against dirt and makes cleaning easier.

The Nano USM motor ensures fast, accurate, and nearly silent autofocus, making the lens suitable for both stills and video. Manual focus can be used continuously, and the control ring allows intuitive adjustment of camera settings.

As part of Canon’s L-series, the lens is built for professional use with a weather-resistant design that protects against dust and moisture. Weighing 700 grams and measuring 10.73 cm in length, it is a balanced choice for photographers who want high performance in a compact form.

The Nikon HK-34 is a slip-on lens hood developed to fit precisely onto the Nikon lens with product number 2172. It helps to minimise stray light and reduce reflections that can degrade image quality.

By blocking unwanted light that hits the front lens element at an angle, the HK-34 helps prevent lens flare and increases image contrast. At the same time, it provides some physical protection against impacts and scratches on the front of the lens.

The hood is manufactured as an original Nikon accessory, ensuring optimal fit and compatibility with the corresponding lens. It is easy to install and remove, making it practical for both studio and outdoor use.